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項目難點在于有效的在合適的成本內滿足其藝術展陳空間的多方位需求，同時強調人與空間的情感交流。建筑空間以內外一體化方式進行空間的重新規劃，并對內部空間的建筑結構進行重新設計。

The difficulty of the project is to effectively satisfy the multidimensional needs of artistic display space within proper cost, while highlighting the emotion interaction between human and space. The architectural space is re-planned by internal and external integration, and redesigning the inner architectural structure.

▼項目外觀，appearance of the project ?Cao Yin

設計以建筑環境受光面分析為起點，對建筑空間組織關系進行推敲，并適當加強內部空間的層次結合功能區域作探究。在某種程度設計希望去除傳統的室內外界限，對內部空間從零開始的結構體量設計意在加深消費者對內部空間的探索欲。整個建筑空間分為三層且錯落有致，在觀感上突出建筑空間感。

▼設計構思草圖，design and conception draft ?QUANHONG

The design start with the analysis of light-receiving side of the architectural environment, deliberating the organization relationship of architectural space, and properly enhance the inner space layers combined with functional area as study. To some extent, the design hopes to remove traditional internal and external bounds. We intend to encourage the customers’ desire to explore of inner space with inner space structural quantity design from scratch. The whole building has three well-proportioned floors, visually highlighting the sense the architectural space.

▼錯落的建筑體量轉換空間，scattered architectural quantity transfer space ?Cao Yin

▼空間中適度穿插一定的大區平臺，properly interspersed some large platform within space ?Cao Yin

▼對內部空間結構柱體的雕塑化處理，sculpturize the construction pillar of inner space ?Cao Yin

▼溶為一體的交通樓梯，traffic stairs syncretize with each other ?Cao Yin

建筑本身并無正長面主體的視覺方向，相反人車動線視覺集中在側面，建筑外立面并沒有采取過多的立面語言，在依托原有建筑框架結構上采取了減法策略，一方面考慮到成本，而在入口與頂部新增的兩個體量意在解決建筑空間側面視覺的立體感，另一方面加強建筑刻板的印象。

The building itself has not the visual direction of the front long main structure, but the moving line of people and vehicle focus on the side of the building. Outside elevations ，fa?ade language is not overused. Considering the cost issue, subtraction strategy is applied based on original frame structure. And the two added quantity is to solve the stereo feeling of the architectural space side vision, as well as strengthening the architectural stereotype.

▼側面局部視角，side partly vision ?Cao Yin

空間以人視覺變化為思考起點，在內部空間的視覺遞進上設立了許多的大小開間，視線在組織內的節奏是非死板固定的，同時融合一定的空間藝術裝置做表現。

Considering the change of vision at the very beginning, there are a lot of big or small bays in inner space to create visual progression， and coordinate with some art installation to present. The vision is not fixed in a rigid rhythm.

▼開放的公共區域穿插具有雕塑儀式感的空間裝置藝術，space art installation with sculpture sense of ritual interspersed in open public area ?Cao Yin

▼具有雕塑儀式感的空間裝置藝術，sculpture sense of ritual interspersed in open public area ?Cao Yin

▼棱切穿插配合燈光的近部特寫，close-up of edge cutting through the light ?Cao Yin

上下關系的樓梯體量做為連接不僅作為空間上升下降的交通體量同時也對空間加強了雕塑刻畫的作用。設計希望體驗人群在非固定的流線中隨著自己的感受不斷進行空間探索，同時享受藝術空間帶來的感染力。

Using up-down stairs quantity as link can not only act as traffic quantity of space upward and downward, but also strengthening the sculptural affect for the space. The design hopes people can experience constant space explore with their feelings in an unfixed line, meanwhile enjoy the charm of art space.

▼空間大廳一側的交通樓梯，traffic stairs in one side of the hall ?Cao Yin

▼平行空間的轉換，transfer of parallel space ?Cao Yin

▼以樓梯斜面作空間挑空的切割劃線，the cutting line using the space hallow created by he stairs angular surface ?Cao Yin

▼三樓樓梯正面，front side of stairs on the third floor ?Cao Yin

設計一直圍繞突出人與空間的關系為核心在考慮，空間好似安排也無安排的旅程，在三層的突出體量設置了一條選懸空長廊，在空間探索上處于空間流線末端，廊橋的關系不僅突出了內部空間的層次同時作為了內部空間的視覺牽引終點。

The core consideration of this design is to highlight the relationship between human and space, arranging an ambiguous trip through the space. The outstanding quantity of the third floor is a suspended corridor, at the end of the space line in terms of space explore. The relationship of the corridors is not only highlighting the layers of inner space, but also working as the visual-based navigation terminal of inner space.

▼挑空的廊橋過道與三層的獨立體量，hollow corridor and independent quantity on the third floor ?Cao Yin

設計主張好的藝術展陳空間并非刻意去貼合當下某種特定的裝飾風格語言，重在研究空間的組織關系與未來的可塑變化性上。在內部空間上加強光影與建筑本身的互動，加強裝置藝術與人的互動，目的都在加強人對于場所空間的深刻印象。

QUANHONG ARCHITECT & ASSOCIATES believes good art showroom is not to deliberately fit the current certain decoration style or language, but to study the organization relationship of space and plasticity and change of future. Highlighting interaction of light shadow and building itself in inner space, interaction of installation art and people, is to enhance people’s image of space.

▼空間光影隨時間不斷演繹，space light shadow keep going ?Cao Yin

▼光線裝置的互動關系，interaction of light installation ?Cao Yin

▼柱體上方的鏡面隨著時間光線變化不斷發生錯位反射，the light of the mirror above the pillar keep interlaced reflecting with time ?Cao Yin

▼局部無限延伸的立面，partly unlimited extension elevations ?Cao Yin

這是一個對于建筑空間重塑的實驗性藝術項目，融合了實用功能及藝術空間特質的綜合性展陳空間。在一定的理性設計邏輯下設計過程同時又顯得尤為不確定性，這是設計對于展陳空間去死板化的探索過程，一步一景，享受其中的每個空間音樂章節。

This is an experimental art project based on the reconstruction of architectural space, a comprehensive showroom mixing with practical function and the character of art space. Under the rational design logic, the design process is extremely uncertain. This is an exploring process of showroom primness-removing for design, one step, one view, enjoying every music chapter of the space.

▼首層平面圖，ground floor plan ?QUANHONG ARCHITECT & ASSOCIATES